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music listening - part

In music as in art in general, the technology of reproduction means has gradually changed the relationship with the masses, bringing them closer inevitably to confrontation with the artwork.

In this favorable situation, the desired growth of cultural interest, however, has given way to a more concrete flattening of use by a public often reactionary towards the new. This created an imbalance between production and reception, moving the axis to the market that produces more for a large audience for a well-educated.

Theodor W. Adorno in " Introduction to the sociology of music " does a thorough investigation of the relationship between music and listeners, identifying eight types of musical performance, including a particular interest in modern sociological analysis are:

• CONSUMER CULTURE
• CALLER FOR HOBBY

Consider the consumer culture. We are facing a kind of listener who stands in respectful relationship to music as a cultural, but as something to be known for their social prestige , resulting in the most vulgar snobbery.

crowds the concert halls and opera, collects records for collection and not to search for a unique and well informed on most music literature, that the structure and the performance of a composition:

"And 'the man of' appreciation '. The only thing that really affects performance is exorbitant, as it were 'measured', for example, the most daring virtuosity, just in the sense of the ideal of the show. The command respect the technique, the half end in itself, and in that sense he is not not so far away from hearing mass-circulated. But it poses as an enemy of the masses, a man of the elite. [...] This is a crucial group that decides to a large extent the musical official are recruited into it especially the committees that design the programs and posters, they pilot the taste reified falsely believes that more of the taste 'culture industry: cultural heritage music administered by this sociological change, in increasing quantities, in consumer goods handled. "

net.futurismo For this type of musical performance, but not snobbish and facade, is identified with the 'traditionalist listener.